
Featuring Nancy Holt and Eva Rothschild
Our Summer Programme unfolds through earthworks, sculpture, tapestry, ceramics and large-scale outdoor installations. In conversation with our evolving 70-acre landscape, discover new ways to encounter art, nature and place.
Opening 2 May 2026
The first major UK presentation of American land artist Nancy Holt (1938–2014) – best known for her Sun Tunnels (1973–76) in the Utah desert – invites visitors to explore art shaped by light, language and space. Works include her early Concrete Poetry, photography, film and two landmark installations that extend into the landscape. Among them is Hydra’s Head, a series of water-filled pools that bear witness to their environment.

Describing her work as “magic minimalism”, Eva Rothschild (b.1971) combines hand-made processes with industrial fabrication to disrupt expectations through material, colour and composition. Presented across the Pigott Gallery and the landscape, her exhibition includes sculptural works alongside a new textile woven locally at West Dean's Tapestry Studio.
Unveiling in spring 2026, Magic Square #3 is the first European outdoor installation by Brazilian artist Hélio Oiticica (1937 –1980), a pioneer of the Tropicália movement. Constructed from the artist’s original instructions, visitors will walk through a sequence of vivid colour planes, where shifting angles, light and views of the surrounding landscape activate an evolving spatial experience.

One of the world’s most prominent contemporary artists, Yayoi Kusama (b. 1929) brings her singular vision to the South Downs with an iconic example of her large-scale sculptures - a reflection of her lifelong exploration of infinity through repetition and polka dots.
South Korean artist Lee Ufan (b. 1936) emerged in the 1960s as a central figure in the Tokyo-based Mono-ha movement. Installed within the Foundation’s landscape, a large-scale sculpture from his Relatum series will invite visitors to experience a heightened awareness of space, material and presence - challenging how we perceive matter, place and ourselves.
Recognised for her exploration of colour, pattern and texture, New York–based artist Polly Apfelbaum’s glazed ceramics and works on paper will be installed throughout the atrium and along the walls of 24, our restaurant. Shaped by the legacies of post-war art and popular culture, Apfelbaum blurs the boundaries between art and craft.

Venture into the ancient woodland and discover a poignant sound work by acclaimed, Berlin based, Scottish artist Susan Philipsz.

The headline exhibition of our opening season featured Turner Prize–winning artist Rachel Whiteread (1993), whose sculptures transform everyday objects and spaces into ghostly echoes of the familiar. Whiteread’s monumental works remain installed across the landscape.

Conceived as tools for exploring nature and human relationships, sculptures by Japanese American artist Isamu Noguchi can be found in our landscape, among them Octetra (Three Element Stack) (1968/2021) from his Playscapes series, which explores the interplay between positive and negative space.

Best known for her large-scale, witty paintings, Rose Wylie (b. 1934) has recently turned to painted bronze sculpture. Pale-Pink Pineapple/Bomb (2025), installed in our landscape, derives from a painting that depicts two brightly colored forms resembling both bombs and pineapples falling over the Middle East, creating an ambiguous tension between concept and form.
Our Summer Programme is presented in partnership with Rolls-Royce Motor Cars
"The Foundation and Rolls-Royce are rooted in Goodwood but have global significance - we both share the goals of inspiring greatness and nurturing talent in creativity. Since the successful inauguration of Goodwood Art Foundation, we have witnessed how this cultural landscape and our partnership have flourished. The aim of the summer 2026 programme, to cultivate the imagination and inspire all who experience it, is one which resonates deeply with us."
Chris Brownridge, CEO